
One of the cool things about blogging here in greater
Phoenix-
Scottsdale-
Tempe is finding out about awesome talent and companies operating below the radar of the bigger media outlets. One of these companies is
Allgood Studios, which does art, web design and print projects for major films, studios and music companies.
Allgood? You say it doesn't ring a bell? Well, maybe the website for
Ice Age 3 does? Or the new site for musician
Pete Yorn? Or
Kung Fu Panda? Yup, they're all from Allgood.
And his studio as just launched its latest work - the teaser site for the 2010 film "
How To Train Your Dragon".
Allgood calls itself a "digital media collective made up of artists who have developed, designed and produced some of the top film and music web sites." The studio is named after founder
Ben Allgood, a 20-something whiz kid who has been doing web projects since his teens.
I threw some questions at Ben in an email discussion and here's what I learned.
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Q: How did Allgood Studios get its start? Was it just your solo DIY work or were there others from the start?Allgood: "Well, I've been around designers since I was young - I began around the age of 16. My father is Jim Evans who owns
Division 13 (Art / Psychology / Aggression), a design studio in Malibu. He had sent me on a project too tour with Billy Corgan of the Smashing Pumpkins for a year all over the world. The idea being, that a kid doing these things was a lot more interesting than a grown up. I think he wanted me to have the same experiences as soon as possible, so we could start working together without having to explain things that can't be explained - just experienced. We work together daily, My studio contracts him, his contracts mine...but for all intents and purposes - they are mostly the same."
Q: Which project among the animated films' sites was the first one that got your agency noticed?Allgood: "Shark Tale and Madagascar were probably the ones that got people talking. Until flash capabilities emerged, no one really considered having parents sit with their children at the computer to have fun and learn on a movie website. The Shrek website we're creating now is going to show people and studios what they have been missing. I've always thought a good website should replace a half hour TV show that adults or kids could enjoy."
Q: How many web-savvy folks are in the 'Allgood digital media collective'?Allgood: "It changes a lot depending on the project. Right now a little more than usual because were planning a 5 man HD camera crew for a local music/film project. Usually around 5 people, though, scattered from LA, Canada, NYC and whatever local art students that are willing to put in the effort for cash."
Q: How have you managed the growth curve during this time?Allgood: "I only take on projects I want to do. That's why I only do music, film and a small selection of out of the norm work. There are a lot of studios out there, but few can finish on time, handle the stress or have the actual skill. I can't imagine having Olive Garden or Home Depot as a client- it just doesn't interest me at all. I'd rather be surrounded by people who want the same things as I do. When you find a group like that, you can manage anything really. There is a lot of sensibility in the studio - we do what it takes."
Q: What film/web/animation industry web sites do you read?Allgood: "I'm always curious to check out
boxofficemojo if i'm marketing the film.
Rotten Tomatoes is a good barometer for how much damage control a film's marketing may need the weeks after it is released or the dvd release. I seek out articles more than actual websites, because the opinion fo the 18yr. old kid in Alabama might be more sound than the 40yr. old VP in Burbank, so naturally Google rules my world. For inspiration, I read/watch
TED.com a lot. Learning to be creative is more important than showing what's creative."
Q: I saw "Shorts" with my son and loved it. And your site for the film is cool too! So why did the film simply just die at the BO?Allgood: "I didn't handle the marketing for this, but I would guess the title of the film itself. It confused me from day one. If I have to research why a film is called what it is, I can only imagine what the movie-goer is going through. I think that movie would have done really well in the 80's or early 90's. People go through phases in what they want unless they're open minded. Would "The Goonies" be popular if it opened this week? I wonder about that sometimes. We watch movies like we vote - Brand Names rule."